![]() ![]() Besides the commercials, perhaps it was your least favorite because of its extrinsic simplicity. Very well played, Monica! The challenge with popular pieces is finding something new. More publicity for PS (I know you like that :wink: )! I woudl ideally like to put page urls at the first page of each chapter, to summarize it or an event in the chapter that cpatures the character of the piece. It will make a great addition to my book, without question! I am still picking out pianosociety piano pieces for each chapter. Nice to hear this after your recordings of the trois nouvelles, the waltz, after you said you visited him last year and in the summer, the monolithic set of Variations on a theme of the composer by Mompou and the last Mazurka and now this, wonderful. But I think, based on other versions I have heard, it is very faithful to the score. I am sorry to say I cannot give you feedback on it, because I have not played it. The pacing, the phrasing, I think you really create a wonderful rendering of the score. I really do enjoy it! Thank you for learning it and for recording this. I had a listen to your recording several times. You are shamelessly dividing them 3+6+3, but all the editions on IMSLP show them as some variant of 2+5+5 they all agree that only the B-flat and A-natural should fall on the first triplet, so that however else you divide the other 10 notes, they suggest it is the right hand's upper A-flat, not the lower A-natural, which should coincide with the left hand's F-D. The second is perhaps slightly more important: In bar 24, beat 2, the right hand has 12 notes, and the question arises of how to divide these among the 3 triplets of the left hand. The first is hardly even worth mentioning: In bar 22 you omit the grace note G before the B-flat. The only place sufficiently problematic to deserve more work is bar 29, where the octuplets are here the flow doesn't quite seem to work.Īnything apart from that would just be nitpicking. ![]() I think it's quite lovely and certainly deserves to stand alongside the other recordings on site of this piece. I don't understand why you should feel this recording isn't good enough. ![]()
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